These undead are more persistent than the Liberty City police department, so the best option is to run, run, run until you lose them. It's best to circumvent the vision cones of those baddies and avoid direct confrontation, but you're occasionally mobbed in spite of your careful movement. When night falls, particularly dangerous and fast zombies roam the city, and the entire timbre changes. But the climbing requires more finesse and situational awareness than it does in Far Cry 4, and some of the towers are outrageously tall, making the entire endeavor an anxious exercise in precision.Īnd tension is yet another aspect of Dying Light that sets it apart from its zombie-game peers. Far Cry comparisons are easy, given how you unlock a few of the game's safe houses by climbing tall towers. Even better, the parkour energizes moments of great tension. Rushing through the open world this way is terrific, due to solid (if not quite excellent) controls and well-constructed climbing and leaping paths, particularly in the game's second half, which takes place in the city's vertically-minded old town. But then it's off to the races, and you're running across rooftops and sneering at the zombies below, most of which can't handle the climb. It takes a short while to get used to climbing onto ledges, which requires you to be looking at them in the proper way. In the dark-but never alone.ĭying Light also sets itself apart with its parkour system, which sees you running across the city from a first-person perspective. Dying Light lumbers through one cliche after another, but it's perfectly palatable: expressive faces and decent voice acting make the story beats and cutscenes worth paying attention to, even when the specifics-the antihero with a heart of gold, the doctor close to discovering a cure, the power-hungry villain-fall solidly within been-there, done-that territory. Death is always in the air, not just because the infected have overrun the city's two sizable explorable areas, but because the survivors are so weary, so close to defeat.
But you are meant to be fearful and cautious, and you are meant to empathize with the survivors working so hard just to stay alive, let alone thrive.Īs a covert operative sent to the city of Harran to recover a secret file, you find yourself in over your head, playing triple agent as you run errands for the city's two primary factions while radioing information to your agency's head honcho. There are light touches here and there: you stumble upon The Bites Motel, for instance, and magazine covers and other details offer plenty of sight gags. The first difference to become clear is in tone: where Dead Island's story was difficult to take seriously, Dying Light sets the stage for a dark drama with a city overrun with infected victims, and a desperate populace anxious for hospice and aid. Dying Light spawns from the same pile of mutated freaks as Dead Island, but it establishes its separate identity early on. You understand developer Techland's inconsistencies, and you are prepared to disregard the chaff so that you may reap the grain. If you count yourself among the Dead Island fandom, your expectations are already set. Now Playing: Dying Light Video Review Fight or flee? It's a decision as old as humanity itself. The harder you try to direct the action, the weaker you become.īy clicking 'enter', you agree to GameSpot's And I hate these moments most because your systems are strong enough to let the open-world gameplay do the heavy lifting. I hate that sequence when you made me leap from one pole to another, because you made it hard to get a good look at my surroundings, and your button prompts are hardly generous. I hate you for that time you filled the screen with so much haze and bloom during a boss fight that I couldn't see properly.
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I hate you for the gunners that ambushed me as I swam underwater, because there was no way to know how to react until I emerged and discovered that I wasn't meant to peek my head out-not yet. I love looking over my shoulder as I run through the darkness, only to see a crowd of undead sprinting towards me, growling hideously and baring their ghastly teeth.īut oh, Dying Light, how you irritate me.
I love how I can dropkick a zombie and watch its flailing body knock over others like a fleshy bowling ball. I love the way you let me leap across rooftops and climb tall towers like an acrobat with endless supplies of energy.
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